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Spring 2024, studying West African mud cloth textiles at an exhibition in London.
I was fascinated by how simple, repetitive dashes and dots - dyed onto natural earth tones - were used to convey complex social status and tribal history.
The technique of isolating the beige canvas with tape, then using the narrow edge of a palette knife for the white 'tally marks' and the blunt end of a dowel for the perfect circular 'dots,' was directly inspired by that powerful, ancient, coded language.
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